This trope, which happens a lot in the less idealistic revenge stories insofar as revenge stories can get idealisticdemonstrates the fundamental flaw in the common warping of the moral maxim " do unto others as you want others to do unto you " into "Do unto others what they did unto you". The actual Golden Rule is about always attempting to look at things from the perspective of others, freely forgiving wrongs, and believing that no one should have to suffer at all, even if they deserve to.
If you take a pretty girl who is the daughter of a priest of Apollo as war booty and refuse to have her ransomed, Apollo will rain plague on your troops.
If an arrow or a spear were thrown at you in battle, more often than not, it would land on your nipple or thereabout. Or alternatively, it would pierce your helmet and splatter your brain.
Real men eat red meat, specifically: The most valuable booty are in no particular order: Lesbians are particularly prized.
There is nothing more glorious for a warrior than to sack enemy cities, plunder their wealth, kill all their men, bed their pretty women and enslave their children. The only men who matter are warriors, but if you are a woman, the range of roles that you could play is rather more diverse.
All the major conflicts in the story are triggered by women, or specifically by their sexuality: Zeus is not above being manipulated by Hera, and Ares the God of War actually got whacked on the head by Athena.
What I find most surprising about the Iliad is the amount of graphic, X-rated violence that it contains.
The violence is not the biblical slaying and smiting, but something much more voyeuristically gory: The Iliad is assumed to be the written version of a much older oral poem, and such characters might represent collective memories of real Bronze Age warriors, but by Zeus, hundreds of pages of them being hacked, cleaved and skewered to death almost did me in.
Now, what is the purpose of such meticulously catalogued carnage? Was Homer trying to present War with all its attendant horrors to shock his audience into pacifism? Or was the old guy just trying to write an 8th century BCE equivalent of a blockbuster action-adventure movie with enough gore to satisfy his young male demographic?
The Iliad both celebrates and laments the warrior spirit: The Greek gods are blissfully free of any human notion of morality which makes the problem of theodicy much more simpler to solve than in the Judeo-Christian model. The Olympian gods do not move in mysterious ways: Well, it happened that just before the battle was about to begin, Hera seduced him and subsequently put him to sleep with the help of Hypnos, whom she bribed with one of the Graces.
A perfectly logical and very human explanation. The story gets much more interesting in the last five books.
This was a time when war was as elemental as they come:R. Peterson’s fine study, The Classical World (), which includes an analysis of 43 Greek, and 32 Roman figures, is persuasive.
Dr. Peterson explains that the Romans painted their death masks to preserve the color, as well as the shape, of their ancestors’ faces. Realistic paintings and pictures of Greek & World Mythology by Howard David Johnson. The Iliad is an epic poem in dactylic hexameters, traditionally attributed to Homer.
Set in the Trojan War, the ten-year siege of Ilium by a coalition of Greek states, it tells of the battles and e. Plot Overview. Ten years have passed since the fall of Troy, and the Greek hero Odysseus still has not returned to his kingdom in Ithaca. A large and rowdy mob of suitors who have overrun Odysseus’s palace and .
Pib's Collection of Regional Folklore and Mythology Resources. Well, in the classic Greek novel The Odyssey, written by Homer, the main character, Odysseus, goes through a long journey in which he faces many challenges.
When he originally left his true love, Penelope, to fight in the battle of Troy, he never expected that .