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Considered a child prodigy he played the first movement of Mozart 's Piano Concerto No. He was also influenced by records of the vocal group the Hi-Lo's. I could hear stuff and that's when I really learned some much farther-out voicings — like the harmonies I used on Speak Like a Child — just being able to do that.
I really got that from Clare Fischer 's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept You know, that's where it came from. Grinnell also awarded him an honorary Doctor of Fine Arts degree in  .
Byrd was attending the Manhattan School of Music in New York at the time and suggested that Hancock study composition with Vittorio Gianniniwhich he did for a short time in The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods.
Hancock was introduced to Davis by the young drummer Tony Williamsa member of the new band. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz.
The rhythm section Davis organized was young but effective, comprising bassist Ron Carteryear-old drummer Williams, and Hancock on piano.
After George Coleman and Sam Rivers each took a turn at the saxophone spot, the quintet gelled with Wayne Shorter on tenor saxophone. This quintet is often regarded as one of the finest jazz ensembles  yet. The second great quintet was where Hancock found his own voice as a pianist.
Not only did he find new ways to use common chords, but he also popularized chords that had not previously been used in jazz. Hancock also developed a unique taste for "orchestral" accompaniment — using quartal harmony and Debussy -like harmonies, with stark contrasts then unheard of in jazz.
With Williams and Carter he wove a labyrinth of rhythmic intricacy on, around and over existing melodic and chordal schemes. In the latter half of the s their approach became so sophisticated and unorthodox that conventional chord changes would hardly be discernible; hence their improvisational concept would become known as "Time, No Changes".
His albums Empyrean Isles and Maiden Voyage were to be two of the most famous and influential jazz LPs of the s, winning praise for both their innovation and accessibility the latter demonstrated by the subsequent enormous popularity of the Maiden Voyage title track as a jazz standardand by the jazz rap group US3 having a hit single with " Cantaloop " derived from "Cantaloupe Island" on Empyrean Isles some twenty nine years later.
Empyrean Isles featured the Davis rhythm section of Hancock, Carter and Williams with the addition of Hubbard on cornetwhile Maiden Voyage also added former Davis saxophonist Coleman with Hubbard remaining on trumpet. Both albums are regarded as among the principal foundations of the post-bop style.
During this period, Hancock also composed the score to Michelangelo Antonioni 's film Blowupthe first of many film soundtracks he recorded in his career.
As well as feature film soundtracks, Hancock recorded a number of musical themes used on American television commercials for such then well known products as Pillsbury 's Space Food SticksStandard OilTab diet cola and Virginia Slims cigarettes.
Hancock also wrote, arranged and conducted a spy type theme for a series of F. William Free commercials for Silva Thins cigarettes.
Hancock liked it so much he wished to record it as a song but the ad agency would not let him. He rewrote the harmony, tempo and tone and recorded the piece as the track "He Who Lives in Fear" from his The Prisoner album of Despite some initial reluctance, Hancock began doubling on electric keyboards including the Fender Rhodes electric piano at Davis's insistence.
Hancock adapted quickly to the new instruments, which proved to be important in his future artistic endeavors.
Under the pretext that he had returned late from a honeymoon in Brazil, Hancock was dismissed from Davis's band.Essay by Bob Gluck (guest post) * Original album Original label Herbie Hancock.
Herbie Hancock’s “Head Hunters” charted a new course for a musician who had come to see the entire world as his potential audience. In crafting this recording, Hancock renewed an historic idea while furthering something novel: jazz that audiences could dance.
Herbie Hancock A 5 page research paper that offers a discussion of the career and music of Herbie Hancock, the jazz pianist and composer. The writer discusses his .
Herbie Hancock, born in , began playing piano at his home in Chicago when he was seven years old. He gave his first public performance two years later, when he performed Mozart's D Major Piano Concerto with the Chicago Symphony when he was 11, and in high school he picked up an ear for jazz. All pre-written papers are sent within just a few hours after we have received your money order.
Custom papers will processed, then written and delivered based on the time frame originally selected and paid for. Village Life is an album by jazz pianist Herbie Hancock and Mandinka griot Foday Musa Suso, recorded live in studio in Japan. Track listing [ edit ] "Moon/Light" (Hancock, Suso) - Genre: Jazz fusion, Mandé music.
Essay by Bob Gluck (guest post) * Original album Original label Herbie Hancock. Herbie Hancock’s “Head Hunters” charted a new course for a musician who had come to see the entire world as his potential audience. In crafting this recording, Hancock renewed an historic idea while furthering something novel: jazz that audiences could dance.