We read or see his plays in their all but unlimited wealth of interest and beauty, and they bring not only delight but the revelation of an understanding so embracing we can hardly credit it as within the power of a human. We accordingly ask ourselves how much Christendom in general and the Renaissance in particular contributed to the forming of this magnificent work, and when the comparison with the ancients comes into our minds we find ourselves relating what we judge to be the special worth of the contemporary culture to each of them.
Set on a mythical island in the middle of the Mediterranean Sea, Prospero comes up with a plan to avenge a disservice that has been done to him, reclaim the title his brother stole, and in the process help his beautiful daughter find true love.
Through the use of magic and spirit servants, he also uncovers plots to kill the king and himself. Prospero himself is the most powerful character in the play in that he controls everyone to some degree.
He seems to know exactly what and when something is going to happen which makes his task simple. He merely wants to show them what he had to go through when he was first stranded on the magical island.
He also wants to make the characters feel guilty for their plot against him, so that when he does show himself, he will be more likely to be welcomed with open arms.
His revenge for being a servant is, at first, trying to take Miranda. After that, when he enlists the help of the drunkards, is to win the island for himself and kill Prospero. Greed, however, is the most powerful motive in the play. Antonio and Sebastian are shown to be the greediest characters because they are willing to kill their own brothers to inherit the power they seek.
Caliban, as well, seeks to rule the island, and uses that as another incentive to attempt to kill Prospero. His cohorts, taken with the thought of being leaders and not servants, go along with him and are willing to commit heinous crimes for it.
The only two characters in the play who are not greedy are the ones who fall in love. Since love is often associated with innocence, this is not surprising.
Even Prospero, though often thought of as a righteous character, creates the plot in order to gain things for himself.
Ariel too, helps Prospero in hopes of buying his freedom from his servitude.Feb 02, · Shakespeare includes certain themes: colonisation, ‘otherness‘, power, nature and nurture, love, illusion and repentance.
I interpret the play as a metaphor on colonisation. This is unsurprising, since Shakespeare wrote 'The Tempest' within years of Columbus’s discovery of 'America' and only four years after Jamestown was feelthefish.coms: 9.
Analysis of these motivating factors is central to the critical thought regarding the thematic structure of The Tempest.
Additionally, The Tempest is thought to confront the question of the effects of colonization and civilization on human nature in relation to the Christian theme of redemption. Video: Shakespeare's The Tempest: Summary, Characters & Analysis The Tempest is a tale of magic, deception, revenge, and marriage.
Learn what happens as Prospero, the deposed Duke of Milan, plots. The Tempest returns to this question over and over again—in its portrayal of the ambiguous "monster" Caliban and in Gonzalo's utopian speech about the ideal state of the island. The ThemeTracker below shows where, and to what degree, the theme of Colonization appears in each scene of The Tempest.
Click or tap on any chapter to read its Summary & Analysis. Click or tap on any chapter to read its Summary & Analysis. LitCharts assigns a color and icon to each theme in The Tempest, which you can use to track the themes throughout the work. Loss and Restoration Prospero's attempt to recover his lost dukedom of Milan drives the plot of the Tempest.